Kapsamlı Gam Kütüphanesi
Bas Gitar Gamları ve Modları
Her kök ses ve gam için interaktif perde şemalarını, nota isimlerini ve formülleri inceleyin.
C (Do) Bas Gamları
C Majör
Open, resolved, and harmonically complete.
C Doğal Minör
Dark, direct, and familiar.
C Armonik Minör
Tense and dramatic, with a strong leading tone.
C Melodik Minör
Minor at its core, but smooth and harmonically modern.
C Majör Pentatonik
Clear, spacious, and hard to clash with.
C Minör Pentatonik
Compact, punchy, and riff-friendly.
C Blues
Gritty and expressive, with chromatic tension around the fifth.
C Doryen
Minor with lift and forward motion from the natural sixth.
C Frigyen
Dark and compressed, defined by the flat second.
C Lidyen
Bright and weightless, colored by the raised fourth.
C Miksolidyen
Major with a relaxed, dominant pull.
C Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
C Frigyen Dominant
Dark and commanding, with a major third above the flat second.
C Tam Ton
Floating and directionless, with no semitone resolution.
C Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
C Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
C Kromatik
All twelve pitch classes with no diatonic hierarchy.
C# (Do Diyez) Bas Gamları
C# Majör
Open, resolved, and harmonically complete.
C# Doğal Minör
Dark, direct, and familiar.
C# Armonik Minör
Tense and dramatic, with a strong leading tone.
C# Melodik Minör
Minor at its core, but smooth and harmonically modern.
C# Majör Pentatonik
Clear, spacious, and hard to clash with.
C# Minör Pentatonik
Compact, punchy, and riff-friendly.
C# Blues
Gritty and expressive, with chromatic tension around the fifth.
C# Doryen
Minor with lift and forward motion from the natural sixth.
C# Frigyen
Dark and compressed, defined by the flat second.
C# Lidyen
Bright and weightless, colored by the raised fourth.
C# Miksolidyen
Major with a relaxed, dominant pull.
C# Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
C# Frigyen Dominant
Dark and commanding, with a major third above the flat second.
C# Tam Ton
Floating and directionless, with no semitone resolution.
C# Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
C# Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
C# Kromatik
All twelve pitch classes with no diatonic hierarchy.
D (Re) Bas Gamları
D Majör
Open, resolved, and harmonically complete.
D Doğal Minör
Dark, direct, and familiar.
D Armonik Minör
Tense and dramatic, with a strong leading tone.
D Melodik Minör
Minor at its core, but smooth and harmonically modern.
D Majör Pentatonik
Clear, spacious, and hard to clash with.
D Minör Pentatonik
Compact, punchy, and riff-friendly.
D Blues
Gritty and expressive, with chromatic tension around the fifth.
D Doryen
Minor with lift and forward motion from the natural sixth.
D Frigyen
Dark and compressed, defined by the flat second.
D Lidyen
Bright and weightless, colored by the raised fourth.
D Miksolidyen
Major with a relaxed, dominant pull.
D Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
D Frigyen Dominant
Dark and commanding, with a major third above the flat second.
D Tam Ton
Floating and directionless, with no semitone resolution.
D Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
D Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
D Kromatik
All twelve pitch classes with no diatonic hierarchy.
Eb (Mi Bemol) Bas Gamları
Eb Majör
Open, resolved, and harmonically complete.
Eb Doğal Minör
Dark, direct, and familiar.
Eb Armonik Minör
Tense and dramatic, with a strong leading tone.
Eb Melodik Minör
Minor at its core, but smooth and harmonically modern.
Eb Majör Pentatonik
Clear, spacious, and hard to clash with.
Eb Minör Pentatonik
Compact, punchy, and riff-friendly.
Eb Blues
Gritty and expressive, with chromatic tension around the fifth.
Eb Doryen
Minor with lift and forward motion from the natural sixth.
Eb Frigyen
Dark and compressed, defined by the flat second.
Eb Lidyen
Bright and weightless, colored by the raised fourth.
Eb Miksolidyen
Major with a relaxed, dominant pull.
Eb Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
Eb Frigyen Dominant
Dark and commanding, with a major third above the flat second.
Eb Tam Ton
Floating and directionless, with no semitone resolution.
Eb Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
Eb Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
Eb Kromatik
All twelve pitch classes with no diatonic hierarchy.
E (Mi) Bas Gamları
E Majör
Open, resolved, and harmonically complete.
E Doğal Minör
Dark, direct, and familiar.
E Armonik Minör
Tense and dramatic, with a strong leading tone.
E Melodik Minör
Minor at its core, but smooth and harmonically modern.
E Majör Pentatonik
Clear, spacious, and hard to clash with.
E Minör Pentatonik
Compact, punchy, and riff-friendly.
E Blues
Gritty and expressive, with chromatic tension around the fifth.
E Doryen
Minor with lift and forward motion from the natural sixth.
E Frigyen
Dark and compressed, defined by the flat second.
E Lidyen
Bright and weightless, colored by the raised fourth.
E Miksolidyen
Major with a relaxed, dominant pull.
E Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
E Frigyen Dominant
Dark and commanding, with a major third above the flat second.
E Tam Ton
Floating and directionless, with no semitone resolution.
E Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
E Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
E Kromatik
All twelve pitch classes with no diatonic hierarchy.
F (Fa) Bas Gamları
F Majör
Open, resolved, and harmonically complete.
F Doğal Minör
Dark, direct, and familiar.
F Armonik Minör
Tense and dramatic, with a strong leading tone.
F Melodik Minör
Minor at its core, but smooth and harmonically modern.
F Majör Pentatonik
Clear, spacious, and hard to clash with.
F Minör Pentatonik
Compact, punchy, and riff-friendly.
F Blues
Gritty and expressive, with chromatic tension around the fifth.
F Doryen
Minor with lift and forward motion from the natural sixth.
F Frigyen
Dark and compressed, defined by the flat second.
F Lidyen
Bright and weightless, colored by the raised fourth.
F Miksolidyen
Major with a relaxed, dominant pull.
F Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
F Frigyen Dominant
Dark and commanding, with a major third above the flat second.
F Tam Ton
Floating and directionless, with no semitone resolution.
F Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
F Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
F Kromatik
All twelve pitch classes with no diatonic hierarchy.
F# (Fa Diyez) Bas Gamları
F# Majör
Open, resolved, and harmonically complete.
F# Doğal Minör
Dark, direct, and familiar.
F# Armonik Minör
Tense and dramatic, with a strong leading tone.
F# Melodik Minör
Minor at its core, but smooth and harmonically modern.
F# Majör Pentatonik
Clear, spacious, and hard to clash with.
F# Minör Pentatonik
Compact, punchy, and riff-friendly.
F# Blues
Gritty and expressive, with chromatic tension around the fifth.
F# Doryen
Minor with lift and forward motion from the natural sixth.
F# Frigyen
Dark and compressed, defined by the flat second.
F# Lidyen
Bright and weightless, colored by the raised fourth.
F# Miksolidyen
Major with a relaxed, dominant pull.
F# Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
F# Frigyen Dominant
Dark and commanding, with a major third above the flat second.
F# Tam Ton
Floating and directionless, with no semitone resolution.
F# Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
F# Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
F# Kromatik
All twelve pitch classes with no diatonic hierarchy.
G (Sol) Bas Gamları
G Majör
Open, resolved, and harmonically complete.
G Doğal Minör
Dark, direct, and familiar.
G Armonik Minör
Tense and dramatic, with a strong leading tone.
G Melodik Minör
Minor at its core, but smooth and harmonically modern.
G Majör Pentatonik
Clear, spacious, and hard to clash with.
G Minör Pentatonik
Compact, punchy, and riff-friendly.
G Blues
Gritty and expressive, with chromatic tension around the fifth.
G Doryen
Minor with lift and forward motion from the natural sixth.
G Frigyen
Dark and compressed, defined by the flat second.
G Lidyen
Bright and weightless, colored by the raised fourth.
G Miksolidyen
Major with a relaxed, dominant pull.
G Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
G Frigyen Dominant
Dark and commanding, with a major third above the flat second.
G Tam Ton
Floating and directionless, with no semitone resolution.
G Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
G Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
G Kromatik
All twelve pitch classes with no diatonic hierarchy.
Ab (La Bemol) Bas Gamları
Ab Majör
Open, resolved, and harmonically complete.
Ab Doğal Minör
Dark, direct, and familiar.
Ab Armonik Minör
Tense and dramatic, with a strong leading tone.
Ab Melodik Minör
Minor at its core, but smooth and harmonically modern.
Ab Majör Pentatonik
Clear, spacious, and hard to clash with.
Ab Minör Pentatonik
Compact, punchy, and riff-friendly.
Ab Blues
Gritty and expressive, with chromatic tension around the fifth.
Ab Doryen
Minor with lift and forward motion from the natural sixth.
Ab Frigyen
Dark and compressed, defined by the flat second.
Ab Lidyen
Bright and weightless, colored by the raised fourth.
Ab Miksolidyen
Major with a relaxed, dominant pull.
Ab Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
Ab Frigyen Dominant
Dark and commanding, with a major third above the flat second.
Ab Tam Ton
Floating and directionless, with no semitone resolution.
Ab Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
Ab Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
Ab Kromatik
All twelve pitch classes with no diatonic hierarchy.
A (La) Bas Gamları
A Majör
Open, resolved, and harmonically complete.
A Doğal Minör
Dark, direct, and familiar.
A Armonik Minör
Tense and dramatic, with a strong leading tone.
A Melodik Minör
Minor at its core, but smooth and harmonically modern.
A Majör Pentatonik
Clear, spacious, and hard to clash with.
A Minör Pentatonik
Compact, punchy, and riff-friendly.
A Blues
Gritty and expressive, with chromatic tension around the fifth.
A Doryen
Minor with lift and forward motion from the natural sixth.
A Frigyen
Dark and compressed, defined by the flat second.
A Lidyen
Bright and weightless, colored by the raised fourth.
A Miksolidyen
Major with a relaxed, dominant pull.
A Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
A Frigyen Dominant
Dark and commanding, with a major third above the flat second.
A Tam Ton
Floating and directionless, with no semitone resolution.
A Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
A Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
A Kromatik
All twelve pitch classes with no diatonic hierarchy.
Bb (Si Bemol) Bas Gamları
Bb Majör
Open, resolved, and harmonically complete.
Bb Doğal Minör
Dark, direct, and familiar.
Bb Armonik Minör
Tense and dramatic, with a strong leading tone.
Bb Melodik Minör
Minor at its core, but smooth and harmonically modern.
Bb Majör Pentatonik
Clear, spacious, and hard to clash with.
Bb Minör Pentatonik
Compact, punchy, and riff-friendly.
Bb Blues
Gritty and expressive, with chromatic tension around the fifth.
Bb Doryen
Minor with lift and forward motion from the natural sixth.
Bb Frigyen
Dark and compressed, defined by the flat second.
Bb Lidyen
Bright and weightless, colored by the raised fourth.
Bb Miksolidyen
Major with a relaxed, dominant pull.
Bb Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
Bb Frigyen Dominant
Dark and commanding, with a major third above the flat second.
Bb Tam Ton
Floating and directionless, with no semitone resolution.
Bb Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
Bb Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
Bb Kromatik
All twelve pitch classes with no diatonic hierarchy.
B (Si) Bas Gamları
B Majör
Open, resolved, and harmonically complete.
B Doğal Minör
Dark, direct, and familiar.
B Armonik Minör
Tense and dramatic, with a strong leading tone.
B Melodik Minör
Minor at its core, but smooth and harmonically modern.
B Majör Pentatonik
Clear, spacious, and hard to clash with.
B Minör Pentatonik
Compact, punchy, and riff-friendly.
B Blues
Gritty and expressive, with chromatic tension around the fifth.
B Doryen
Minor with lift and forward motion from the natural sixth.
B Frigyen
Dark and compressed, defined by the flat second.
B Lidyen
Bright and weightless, colored by the raised fourth.
B Miksolidyen
Major with a relaxed, dominant pull.
B Lokriyen
Unstable and unresolved, with both a flat second and flat fifth.
B Frigyen Dominant
Dark and commanding, with a major third above the flat second.
B Tam Ton
Floating and directionless, with no semitone resolution.
B Eksiltilmiş Yarım-Tam
Dense dominant tension with repeating half-step and whole-step cells.
B Eksiltilmiş Tam-Yarım
Balanced and angular, outlining diminished-seventh symmetry.
B Kromatik
All twelve pitch classes with no diatonic hierarchy.